The art that professes to please is distorted on contact with the hand it licks.

National funding of culture may have its raison d'être, but woe (or rather glory) to those who confuse responding to a command with obeying the commands of an institution that can only think of itself through the good tone of the moment.

Read more about the article Le grand écart
Anne Dreyfus | Hommage au Grand écart | Montage © David Noir

The big gap

In the theater of degradation... we go to great lengths to chain together beautiful images "in homage to..." At the Generator, we put our strength into the art of creation.

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Read more about the article Théâtre Dissolution
"Les Parques d'attraction" by David Noir at the Generator | 2nd evening | Dissolution in the heart of Limbo | Photo © Karine Lhémon

Dissolution Theatre

Théâtre Dissolution, ten solutions for the Theatre ... it will take much more to free from its gangue of sediment and algae, a fantastic creature who no longer even knows that it sleeps under the silt of preconceived ideas and applause of complacency.

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Read more about the article Journal des Parques J-15
Fishing for Dying Corpses | Sonia Codhant, David Noir | "Definitive Creatures" © David Noir | The theatre is a dead sea of corpses floating in the sea

Fencing Diary D-15

Theatre, wandering creature, eternally dying, adrift, floating in its sea of excrement like a cacochymous whale

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Read more about the article Journal des Parques J-25
Genesis of "La Toison dort" by David Noir | Invitation to the first production meeting on June 6, 2005 | Graphic design © Philippe Savoir

Journal des Parques D-25

From the genesis of "La Toison dort" in 2005 to the creation of the "Parques d'attraction" in 2013: Worrying continuation in ideas or saving stubbornness?

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