Representation, like the fruit of a pagan harvest

The performance is of course an important part of the stage creation machine

It allows the work produced upstream to be suddenly in contact with a reality multiplied by the number and variety of its representatives. By bringing together the energy of a team and that of the group of spectators, the performance thus plays its role as a clutch, just like the rehearsal between the designer and the performers beforehand. The performance, like the clutch, is therefore a temporary coupling device between a shaft called the motor and another called the receiver; between a stage and an audience.

In the case of motor vehicles, the clutch is located in the transmission chain between the engine and the gearbox, where, in addition, the torque to be transmitted is the lowest*.

The uncoupling also makes it easier to change gears.

* Couple Sense 4 [Physics] A system of two opposing, parallel forces of equal intensity.

Representations offer us the opportunity to go through things physically

This gives greater control over the speed and direction of projects. You also know more quickly what the next step will be. We hope that in the case of our various operating phases, the machine works both ways and that your own vehicles are also improved and more manageable.

For our part, more luxurious production models are being studied but not yet developed. We will not fail to keep the interested spectators informed of the evolution of our ranges. To do so, they just need to enter their first name, last name and email address in the form available on this site.

EMERGENCY CALL

Many misinformed people still believe that we do contemporary theatre.

HELP US to make them understand that this is not true!
That this is materially impossible since this transitional form has not existed since the late 1970s.
Theatre, or more precisely, drama with dialogue and characters, remains a captivating discipline, but not an actual art production; even less a living thought. One might even venture to speak of 'morbidity' in the most perverse cases of individuals who are perfectly successful in deceiving the most eminent specialists in the most prestigious venues.

We know from reliable sources that there are still many writers and directors doing Theatre, scattered in various strategic locations where they have been placed, like some Japanese veterans unaware of the end of the war and still on the prowl thirty years later on islands in the Philippines. Please HELP US find them for their sake and ours.