Denouncing perversity through obscenity
www.webtrotteurs-quartiers.org | The Righteous Story V.3
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www.webtrotteurs-quartiers.org

THE RIGHTS-Story V.3

This is the ideal line-up of actors to season the theatrical universe and to grill the taboos. As each actor, each element of the set reflects a specific theme of our current and cultural world.
"Hello my alien in make-up. Hi, it's us. Don't worry, it's not a credit default, but there's still a risk that it will implode in your face before you've finished paying the instalments. You don't know us, but rest assured, we know who you are... "

With these words, "The Righteous Story v.3" begins
In this merciless universe, man's worst enemy is none other than himself. This universe is an arena where the dictatorship of the camera is finally taken by the horns. A place where the manipulation of the media is revealed, particularly that of audiovisual programmes.

A show that subtly deals with paedophilia and Nazism. Don't they say that evil can be cured by evil. This is what The Puritans of the "La Vie Est Courte" Company do by denouncing perversity through obscenity. Why should the sexual act be considered improper and foreign to man?

David Noir, director: "We have to stop with false romanticism, distorted idealism

Offbeat, trashy, provocative, committed, funny, intelligent... Les Justes story" is lulled by an atmosphere of video games, mangas, with a "touch" of eroticism! (Sensitive souls please refrain!) The spectator is, as soon as he enters, involved in the games of the actors who occupy a scene inspired by the stereotyped lifestyle of the teenager. The Puritans do not seek only to shock. Rather, their aim is to open up a deeper reflection. A reflection that concerns, among other things, the economic and social manipulation that leads to the formation of a false image of the human being. The writing of the show is totally controlled, but it allows a certain freedom for improvisation.

"It's a do-it-yourself, but above all it's a thoughtcontinues David Noir, a reflection inspired by my own life. Are we so different from each other?

It is indeed a show not recommended to people suffocated by their over-good manners and therefore unaware of their animal status), nor to those crushed by their paternalistic and moralistic pseudo-culture which leads to a castration of the human spirit!

So, theatre lovers and censors, you who think you have mastered the understanding of the art of theatre, stop maintaining it in a conventionality erected as a universal truth.

Isn't theatre supposed to reflect the world today so that it can then better denounce it?

Goodbye to all!

 

Written by David Noir, as a crazy nurse.
Suzie-Sally, played by Sonia Codhant, is a young terrorist woman.
She is accompanied by Jean Sélar (Miguel-Ange Samiento), a newborn neo-Nazi, son of Jean-Père. JeanPère (Jean-François Rey), Jean's father, is a paedophile TV presenter.
There is also Liz Terry (Jacques Meystre), "a dyke in her G-force form", Lara (Philippe Savoir) who plays "the weathergirls", with Georges Clown (Tom Laleux) and Fabian (Stéphane Desvignes) at her side. Finally, the synth is played by Goala (Jérôme Coulomb).

www. webtrotteurs-quartiers. org
Report produced by Lauriane Laigre, Frédéric De Loof (written), Laeticia Michel (sound) and Frédéric de Santos (photos).
Les Justes story, at the Pulsion théâtre until 27 July in Avignon

David Noir

David Noir, performer, actor, author, director, singer, visual artist, video maker, sound designer, teacher... carries his polymorphous nudity and his costumed childhood under the eyes and ears of anyone who wants to see and hear.

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