By the light of my acorn
By the light of my glans, I travel the length of my stiff cock. Hello penis! My pornography is the charming territory of my exhibition.
By the light of my glans, I travel the length of my stiff cock. Hello penis! My pornography is the charming territory of my exhibition.
Behind the computers, the lyrics look absolute. What a beautiful anonymity not to face oneself!
I'm testifying from where I am. As a good archaeologist, I create my own ruin. The loneliness of the fields of childhood is not the same as the loneliness of the fields of adulthood.
Ladies and gentlemen, following a strike movement by a certain category of a personal nature, we are not in a position to present you with the planned programme. We apologize for the inconvenience.
"You think Tim Burton is better than Ed Wood. You think it was Wagner who killed Natalie Wood..." | Déni s'opère | AltéréGo!
I look with suspicion at those who utter words with exhibitionist ease but never have the simplicity of exposing their naked bodies.
To decry sexual exhibition is to deny the reality of coitus, the most banal of our realities, in favour of an illusion of self, mother of all violence.
In a society of puppets, it is natural to become puppets. It remains to be able to endow them with singular bodies and adequate heads.
Peace sought through the violence of words. Here, a free reading of the text "Je veux rester un étranger" ("I want to remain a stranger").
Moving away from the fear of what we are is a form of refinement of our being. To embrace our animal side is to become human.
The texts are the blades of grass and the grasses of my mental meadow. They grow anarchically and intertwine in a tight weave.
Even and especially when it is touched by love, the couple is a matter of non-desire. This love becomes a repulsive thing.
Me, I spend my nights in the shelter. From everything. Sheltered from you, in spite of your suavely mellow voice that's so concerned with radio, hygienic and concerned.
Opéra Pastille is a musical black widow that ingests its audience by liquefying its organs after listening. Christophe Imbs and David Noir compose the mandibles.
To remain silent would be a decent way of stifling thought, which will always be the painful expression of an order given to oneself by one's own mental bourgeoisie.
A little girl, a bit of a gorilla, cares about her elegance and aesthetics. The gore girl remembers her playmates.
Why is it that when I walk into a theater, do I want to leave? Why when I randomly open a book, do I look forward to closing it?
Wipe the trail left by your fly. Your love in return should be shat in your mouth.
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