My sting ray or my stingray, depending on the requirements of the moment © David Noir
Journal des Parques J-45
The demand makes his whole life a solitary crusade, but at the same time gives him spaces and times scattered with sublime joys.
There will always be something at the end
Performance design | David Noir | "Altérés Go !" at the Générateur | Photo © Karine Lhémon
Fencing Diary J-50
Opening of the Journal of the Creation of Attraction Fates at the Generator | "I have never loved anything about an individual other than their potential to perform."
Preparations for the Fates | David Noir | "La Toison dort" at the Generator | Photo © Karine Lhémon
The Parks | Preparations
For the past twenty years I have been tracing my creative paths, which I now follow, knowing that they border on the abyss.
What to play in "Les Parques d'attraction" | Installation plan of "La Toison dort" at the Generator © David Noir
Introduction to "Attraction parks".
In April 2013 at the Générateur, I invite you to discover this universe, to come and play and to evolve without any limit between being a spectator or an actor.
Epaves du temps | Digital drawing © David Noir
Happy endings: good weather ahead
Ever since I became aware of the actual time of my life, I have been constantly amazed at the inefficiency of the education I received.
Pornographic landscape | Composition © David Noir
Peaceful solitude of a pornographic landscape
Bonds only make sense for what they are really worth, with moments, gifts, thefts, rapes, they weave the canvas of my mental landscape.
Crossing in the land of utopia | Anna Brun playing Satan during a performance of Oskar Panizza's Council of Love | M.e.s. David Noir for the No-Naime Cie | Photo © n.c.
| The love of another utopia | Hate in its time
Learning to vomit into the world's great trough, including the one overflowing with culture, is as vital as developing a love of utopia.
Stem cells | Imaginary primitive scene | Digital drawing © David Noir
Scene and Web | A new writing of the performing arts
From the theatre to the Internet, it is a question of extending the stage to the Web, of interpreting the Web as an extension of the stage, of playing one's role online.
