Read more about the article Ateliers « Corps d’été »

Stage Living Stage | "Corps d'été" | Photo © David Noir

Summer Body Workshops

A consciousness and a body: nudity and performance under the sun. Eight workshop sessions devoted to the body exhibited through performance.

Read more about the article Simulacres et attitudes sociales : « jouer pour de vrai »

Iconicum | "Playing within images" | Stage Live Scene | The Generator | Photo © David Noir 2015

Simulacra and Social Attitudes: "Playing for real

Playing true means confronting the simplicity of being, the banal nature of bodies and desires, the ferocity of our nature and finally having fun with it.

Sexual exhibition in space | Visual © David Noir

Exhibition

To decry sexual exhibition is to deny the reality of coitus, the most banal of our realities, in favour of an illusion of self, the mother of all violence.

Read more about the article La part animale

My animal part | My sperm dripping from my acorn | Screenshot © David Noir 2012

The animal part

Moving away from the fear of what we are is a form of refinement of our being. To embrace our animal side is to become human.

Read more about the article Totalement nu

Live Stage Stage | "Totally Naked" | Visual © David Noir

Totally naked

Some objectives of the "Totally Nude" workshop: Risking oneself in a body bath. Give yourself the freedom to stay there. Tranquilize your fear. To confront desire.

Read more about the article De la vérité des hommes

Live Stage Stage | "De la vérité des hommes" | Visual © David Noir

Of the truth of men

A day of participatory naked or dressed performance led by David Noir, to try to bring a little truth to the game, if not to life.

Read more about the article Ballade post « Iconicum »

Live Stage Stage | "Iconicum" | Photo © David Noir

Ballad post "Iconicum"

A walk backwards towards the birth of a collective improvisation based on the participatory performance Iconicum given to the Generator.

Lady Command

Time veils backwards, throws a theatrical tulle over the detailed vision of ancient crimes. The tragic beauty of history is more congenial than the impending horror.