The Parks | Preparations
For the past twenty years I have been tracing my creative paths, which I now follow, knowing that they border on the abyss.
scene
All my creations, including the pages of this site, are based on the stage. It is the vibration of the stage moment that exclusively animates them.
For the past twenty years I have been tracing my creative paths, which I now follow, knowing that they border on the abyss.
In April 2013 at the Générateur, I invite you to discover this universe, to come and play and to evolve without any limit between being a spectator or an actor.
All episodes of La Toison dort at the Générateur. 15 hours of performance over 3 evenings. A prelude to "Parques d'attraction" created the following year.
Poetry of micro betrayal, invisible to the eye, but so strongly felt that it takes years to express its substance, to draw its outlines.
Misery doesn't only strike the poor world. It also sticks to the most titanic means and reveals the saddest illusion of surface creativeness.
The most "amateurish" and common image in the imagination of a large part of the population is that of this distressing affair, also known as the theatre.
Sometimes a meeting is enough to give them the renewed energy that is inevitably lacking in the course of a stage journey.
Born from the mating of a stage and an audience, the performance comes into the world as the fruit of a pagan harvest.
This idea of having to share emotion at all costs as a crowning achievement in exceptional circumstances has become partially foreign to me.
From the theatre to the Internet, it is a question of extending the stage to the Web, of interpreting the Web as an extension of the stage, of playing one's role online.