theater
From the genesis of "La Toison dort" in 2005 to the creation of the "Parques d'attraction" in 2013: Worrying continuation in ideas or saving stubbornness?
Methodology of the Fates addressed to the public : incentives to play, temptation of possibilities, how to intervene... everything tends to push to the staging of oneself
"I don't want to be reduced to that," she will say. "It only shows one side of me," he'll counter. "Pretending to be something other than an ass" I'll say.
For me, the most beautiful collaboration is done without words, just through execution. Execution, a magic word when it is not fearsome...
In April 2013 at the Générateur, I invite you to discover this universe, to come and play and to evolve without any limit between being a spectator or an actor.
All episodes of La Toison dort at the Générateur. 15 hours of performance over 3 evenings. A prelude to "Parques d'attraction" created the following year.
Yes, since childhood, rape is life, but life is also what we want to do with it so that our symbolic parents become ghosts.
Scam; burning lie! The vigour of the body dominates all the wisdom of the old. The human is only true through the bluff of its characters.
Misery doesn't only strike the poor world. It also sticks to the most titanic means and reveals the saddest illusion of surface creativeness.
The most "amateurish" and common image in the imagination of a large part of the population is that of this distressing affair, also known as the theatre.
