The animal part
Moving away from the fear of what we are is a form of refinement of our being. To embrace our animal side is to become human.
poetic violence
Poetry can only be violence, it must be pure violence, and it definitively misses its object when it renounces its being violence, because then it detaches itself and abandons the human
Moving away from the fear of what we are is a form of refinement of our being. To embrace our animal side is to become human.
As Victor says about the spider and the nettle - not Dr. Frankenstein, but his friend old Hugo - I love hate because we hate it.
Artists at fault, artists too weak, unable to save this world from a predatory terror... Artistic ultra-violence, where are you hiding?
The shark is one-eyed, the surfer fought back. Oh, God, it's so annoying to have a one-eyed child. Blind and deaf.
Artists, the real ones who would have something to say, hate the world and won't say anything to it, right? And it's much better that way, isn't it?
When you're shocked by anything that exists, it's because you've made up your mind about the world but you don't know anything about it.
The true individual venturing out of his isolation room, faints on contact with the air. He refuses to be legibly embodied in his words and deeds...
Attempted social evasion | There's no room for social chatter here. Not even on a good morning. And that's just as well.
Time veils backwards, throws a theatrical tulle over the detailed vision of ancient crimes. The tragic beauty of history is more congenial than the impending horror.
A video of the "Camps de l'Amor", performance by David Noir and music by Christophe Imbs, like a dreamlike memory of sex, horror and childhood.