Anne Dreyfus | Hommage au Grand écart | Montage © David Noir
The big gap
In the theater of degradation... we go to great lengths to chain together beautiful images "in homage to..." At the Generator, we put our strength into the art of creation.
Projections and experiments
Live Stage Stage | "Mixing of genres" | Visual © David Noir
Mixing of genres
The mixture of natures that shape us and the contradictions that knead us are the guiding threads of this day of training.
C'est tant de réflexion | "Scrap" | David Noir | Photo © Karine Lhémon | Le Générateur
It's so much reflection
Scrap preparation | Its times of reflection, its moments of creation | Focus on the step by step implementation of a performance.
Flying Fear Fantasy | Scrapbook | Digital Collage © David Noir
And steal the fish...
Even alone, one may not be in tune with one's inner self. We are too afraid that it is a crime. Fortunately there is the mask to help us be.
"Les Parques d'attraction" by David Noir at the Generator | 2nd evening | Dissolution in the heart of Limbo | Photo © Karine Lhémon
Dissolution Theatre
Théâtre Dissolution, ten solutions for the Theatre ... it will take much more to free from its gangue of sediment and algae, a fantastic creature who no longer even knows that it sleeps under the silt of preconceived ideas and applause of complacency.
Left to oneself, totally naked | "Nu comme un ver" with Georges Milton, directed by Léon Mathot - 1933
Journal des Parques J-7
...voluntarily alone and totally naked, left to oneself, a few kilometers away from a city that one is preparing not to flee, but to invest...
Mixing sexes | vulva and penis | Visual © David Noir
Fencing Diary J-8
The sexes, pussies and dicks, are always kneaded with the innocence of their weak culture | It's beautiful that it is like this
Reptincel and Dracofire | Salameche Evolution | Pokémon | Nintendo
Diary of the Parks J-12
The Feces are the evolution of "The Fleece Sleeps" in the sense of the Pokémon series, i.e. a stage evolved to the next degree of the same species.
The final battle | Roy Scheider ready to blow the oxygen tank in the shark's mouth | Jaws | Directed by Steven Spielberg | 1975
Journal des Parques J-13
Nightmares and Iconographic Terrors or The Risks of the Spectator's Life. To emerge victorious implies at least not having fought the wrong fight.
My Wonderful Pornography | David Noir | "The Loose Animals" | 1992
Fencing Diary J-16
Today, I have kept this short hour of ordinary pornography in me as one of my most beautiful moments as a moviegoer.
