My sting ray or my stingray, depending on the requirements of the moment © David Noir
Journal des Parques J-45
The demand makes his whole life a solitary crusade, but at the same time gives him spaces and times scattered with sublime joys.
What is "getting hard on the side" in art if not "getting hard on the side"? But not in a sinister, neurotic way. No, it's about having a happy hard-on for yourself. But not in a sinister, neurotic way. No, on the contrary. It's about having a joyful hard-on for oneself, getting excited by one's own excitement, plunging into the appetite of one's own existence and enjoying one's own creative faculties. It is not a question of breaking with the world of others, but rather of knowing one's own, intimately, without shame, before allowing oneself to consider understanding the one around us. This is, in my opinion, the approach that many of us lack; in particular, and this is the most serious, those who claim to guide us.
Performance is an eternally virgin land, with paradisiacal borders blurred and preciously maintained by those who like to get lost in it. The ones I propose are childish performances for grown-ups where incoherence is not without tails and heads and where nudity is the most serious of costumes.
The control room | Guillaume Junot on video and sound, Jérôme Allart on lights with Valérie Brancq and David Noir | "The Fleece sleeps" at the Generator | Photo © Karine Lhémon
Fencing Diary J-46
When the control room consoles us | I'm simply testifying to those moments when we find refuge in the technical department when the tensions are too great elsewhere.
"The Fleece sleeps" at the Generator | David Noir wanked by Valérie Brancq | Photo © Karine Lhémon
Fencing Diary J-47
The happy exhibition of the penis, flaccid or rigid, as a condition for the free expression of a simple and fulfilled masculinity.
Valérie Brancq masked | Photo © David Noir
Fencing Diary J-48
I only create the sadistic setting of a sort of 'for Hate' party, so that I can play, sing and dance quietly in my corner.
Cartouche 01 © David Noir
Fencing Diary J-49
Added to the decor, simple signs and cartouches bearing sentences, slogans and illustrations of my own.
Performance design | David Noir | "Altérés Go !" at the Générateur | Photo © Karine Lhémon
Fencing Diary J-50
Opening of the Journal of the Creation of Attraction Fates at the Generator | "I have never loved anything about an individual other than their potential to perform."
Preparations for the Fates | David Noir | "La Toison dort" at the Generator | Photo © Karine Lhémon
The Parks | Preparations
For the past twenty years I have been tracing my creative paths, which I now follow, knowing that they border on the abyss.
David Noir | Self-portrait in the MAC/VAL bathroom
Mythology of frills
Profusion of plastic installations and scenic events for a synthetic mythology. Weaving on rough canvas so as not to stop creating.
What to play in "Les Parques d'attraction" | Installation plan of "La Toison dort" at the Generator © David Noir
Introduction to "Attraction parks".
In April 2013 at the Générateur, I invite you to discover this universe, to come and play and to evolve without any limit between being a spectator or an actor.
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4th edition of [frasq] Meeting of the performance at the Generator in Gentilly
[frasq] #4 Performance Meeting
Everything that happens at the Generator "becomes" the Generator. The infinite permissiveness that resides in it allows us to feel inhabited by a grandiose freedom.
