Red kissed
Chewing gum tablet, SCRAP with delicately chewed senses, stretches like an elegant and sweet marshmallow, sticks to the teeth and under the heels of stale collars.
Performance
What is "getting hard on the side" in art if not "getting hard on the side"? But not in a sinister, neurotic way. No, it's about having a happy hard-on for yourself. But not in a sinister, neurotic way. No, on the contrary. It's about having a joyful hard-on for oneself, getting excited by one's own excitement, plunging into the appetite of one's own existence and enjoying one's own creative faculties. It is not a question of breaking with the world of others, but rather of knowing one's own, intimately, without shame, before allowing oneself to consider understanding the one around us. This is, in my opinion, the approach that many of us lack; in particular, and this is the most serious, those who claim to guide us.
Performance is an eternally virgin land, with paradisiacal borders blurred and preciously maintained by those who like to get lost in it. The ones I propose are childish performances for grown-ups where incoherence is not without tails and heads and where nudity is the most serious of costumes.
Chewing gum tablet, SCRAP with delicately chewed senses, stretches like an elegant and sweet marshmallow, sticks to the teeth and under the heels of stale collars.
Is there such a thing as a "useful war"? Are there bloody skirmishes that constitute progress or an advantage for one or the other of the belligerents?
Love is like an enriched ore. In its pure state, it destroys the inner self. To keep it at a distance is not selfishness, quite the contrary.
Scrap preparation | Its times of reflection, its moments of creation | Focus on the step by step implementation of a performance.
I am a plant, an animal, an asteroid or a living room bench... I am whatever my imagination can make of me.
Even alone, one may not be in tune with one's inner self. We are too afraid that it is a crime. Fortunately there is the mask to help us be.
Théâtre Dissolution, ten solutions for the Theatre ... it will take much more to free from its gangue of sediment and algae, a fantastic creature who no longer even knows that it sleeps under the silt of preconceived ideas and applause of complacency.
There's the work that we don't do, that makes other works do... that feeds them all the time... the great mass that is huge... it's beautiful... good night...
With its large, resolutely empty space, the Generator doesn't care about the itchiness of the vermin that sometimes infest it.
First sleepless night. I have become accustomed to seeing my nights as a succession of hours and not as a whole stretch that opposes the day.