What is "getting hard on the side" in art if not "getting hard on the side"? But not in a sinister, neurotic way. No, it's about having a happy hard-on for yourself. But not in a sinister, neurotic way. No, on the contrary. It's about having a joyful hard-on for oneself, getting excited by one's own excitement, plunging into the appetite of one's own existence and enjoying one's own creative faculties. It is not a question of breaking with the world of others, but rather of knowing one's own, intimately, without shame, before allowing oneself to consider understanding the one around us. This is, in my opinion, the approach that many of us lack; in particular, and this is the most serious, those who claim to guide us.

Performance is an eternally virgin land, with paradisiacal borders blurred and preciously maintained by those who like to get lost in it. The ones I propose are childish performances for grown-ups where incoherence is not without tails and heads and where nudity is the most serious of costumes.

Read more about the article Journal des Parques J-9
Rania Stephan and David Noir as Cannes festival-goers | Photo © B. Bougon | 1985

Fencing Diary J-9

Behind the pretexts, homophobia, violence against women or any other primary racism, lies the persistent hatred of childhood

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Read more about the article Journal des Parques J-10
The Wolf and the Lamb | How to respond to the devouring demand of the desire for creation?

Fencing Diary D-10

Demanding, demanding, demanding | A look at the declinations at the root of an artistic involvement in the creation of projects

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Read more about the article Journal des Parques J-13
The final battle | Roy Scheider ready to blow the oxygen tank in the shark's mouth | Jaws | Directed by Steven Spielberg | 1975

Journal des Parques J-13

Nightmares and Iconographic Terrors or The Risks of the Spectator's Life. To emerge victorious implies at least not having fought the wrong fight.

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