| You're your tail |
The maps I draw up represent my body, a body that is ultimately the same for everyone. I turn around, turn around, I'm back to square one.
childhood
Contrary to what he said, a large part of humanity hates childhood and does not want to give it a place in the adult world.
The maps I draw up represent my body, a body that is ultimately the same for everyone. I turn around, turn around, I'm back to square one.
"Childhood of art", not in the sense of simplicity (can childhood be simple?), but understood as the dawn of another form: the staging of a site.
My drawings and collages are more the result of my excavations and stage research than "pictorial works".
The rock'n roll dream of being awesome, consumable, disposable. The Attraction Parks respond to the need to centrifugate our bits and pieces of identity.
Dress up, choose your mythology, live and die at will. It remains to be seen which "society of the spectacle" you choose to promote.
A possible reincarnation of our wild and unmanageable childhood is systematically relegated as a toxic residue to the bottom of our shackled bodies.
thanatoludique promotion: 1000 lives for 1 death. What's at stake? As a child, we experienced them many times by identification through our disguises.
Photographic gallery of the collective performance "Les Parques d'attraction" by David Noir at Le Générateur | Day 5 | Photos © Karine Lhémon
Photographic gallery of the collective performance "Les Parques d'attraction" by David Noir at Le Générateur | Day 4 | Photos © Karine Lhémon
Photographic gallery of the collective performance "Les Parques d'attraction" by David Noir at Le Générateur | Day 3 | Photos © Karine Lhémon