The double virtue of the practice of theatre
Theatre, like all the arts, reveals to the person who practises it, how much life is worth living, starting with his or her own.
Anne Dreyfus | Hommage au Grand écart | Montage © David Noir
The big gap
In the theater of degradation... we go to great lengths to chain together beautiful images "in homage to..." At the Generator, we put our strength into the art of creation.
C'est tant de réflexion | "Scrap" | David Noir | Photo © Karine Lhémon | Le Générateur
It's so much reflection
Scrap preparation | Its times of reflection, its moments of creation | Focus on the step by step implementation of a performance.
Live Stage Workshop | "Improvise freely" | Photo © David Noir
Improvise freely
From almost nothing, learning to improvise freely extends the playful potential of each individual to the dimensions of his own imagination.
Living Scene Classes | Frequently Asked Questions | Visual © David Noir
Live Scene | Frequently Asked Questions
Frequently asked questions about Scène Vivante improvisation workshops and the teaching methods used by David Noir in his classes.
Scène Vivante Workshop | "Inventing an identity" | Visual © David Noir
Inventing an identity
Using disguises, masks and various accessories, this one-day workshop offers everyone the opportunity to develop a distinctive identity.
Hotel Paradoxe Radio Libertaire | 89.4MHz FM
Fencing Diary D-6
On the occasion of the creation of the Parques d'attraction, Any Tingay, Anne Dreyfus and I are invited to stay a full night at the Hotel Paradoxe
Rania Stephan and David Noir as Cannes festival-goers | Photo © B. Bougon | 1985
Fencing Diary J-9
Behind the pretexts, homophobia, violence against women or any other primary racism, lies the persistent hatred of childhood
Reptincel and Dracofire | Salameche Evolution | Pokémon | Nintendo
Diary of the Parks J-12
The Feces are the evolution of "The Fleece Sleeps" in the sense of the Pokémon series, i.e. a stage evolved to the next degree of the same species.
Marcelle Chantal and Jean Yonnel | AMOK (1934) | Directed by Fédor Ozep after Stefan Zweig
Diary of the Parks J-26
Even if it is dangerous to understand it literally, the Amok is nevertheless a phenomenon on which the being in search of itself must lean
