The digital screen contains within itself its essential image through its own luminescence. It is this image that fascinates us before any other medium that uses it.

Read more about the article Journal des Parques J-16

My Wonderful Pornography | David Noir | "The Loose Animals" | 1992

Fencing Diary J-16

Today, I have kept this short hour of ordinary pornography in me as one of my most beautiful moments as a moviegoer.

Edible CHOCOBITE Phallus | My Sex in Chocolate | Self-moulding on the spot © David Noir

Journal des Parques J-19

I write with my dick and sign a taste trick. Cocoa idol, my phallus becomes edible for those who can suck its meaning.

Read more about the article Journal des Parques J-21

Fredric March | Dr. Jekyll and Mr. Hyde de Rouben Mamoulian | 1931

Fencing Diary D-21

We have the opportunity to give our lives another meaning. This margin of freedom is called art. This is where Mr. Hyde comes to the aid of the frightened Dr. Jekyll...

Bander and enjoy the face of the world | My lonesome cowboy, 1998, Fiberglass, acrylic and steel, 288 x 117 x 90 cm - Takashi Murakami

Journal des Parques J-22

Magnificent arrogance of an ordinary hero: Live to get hard and enjoy the world! "Suck it, this is my cock! Drink, this is my sperm! »

The bus where the adventure and life of Christopher McCandless ended in solitude in 1992, brought to the screen in the film "Into the wild".

Journal des Parques J-24

It is human and tribal to have to be constantly reassured about one's membership in a community and the relative state of one's loneliness

Read more about the article Journal des Parques J-25

Genesis of "La Toison dort" by David Noir | Invitation to the first production meeting on June 6, 2005 | Graphic design © Philippe Savoir

Journal des Parques D-25

From the genesis of "La Toison dort" in 2005 to the creation of the "Parques d'attraction" in 2013: Worrying continuation in ideas or saving stubbornness?

Read more about the article Journal des Parques J-26

Marcelle Chantal and Jean Yonnel | AMOK (1934) | Directed by Fédor Ozep after Stefan Zweig

Diary of the Parks J-26

Even if it is dangerous to understand it literally, the Amok is nevertheless a phenomenon on which the being in search of itself must lean

Read more about the article Journal des Parques J-30

Quest for a void | Visual © David Noir

Diary of the Parks J-30

It is, when all that remains to my senses is the fleeting and deep trace like a gash, what I retain of a spectacle... or of a man: the preserved void.