Stage Living Stage | "Corps d'été" | Photo © David Noir
Summer Body Workshops
A consciousness and a body: nudity and performance under the sun. Eight workshop sessions devoted to the body exhibited through performance.
Sexual exhibition in space | Visual © David Noir
Exhibition
To decry sexual exhibition is to deny the reality of coitus, the most banal of our realities, in favour of an illusion of self, the mother of all violence.
Live Stage Stage | "Totally Naked" | Visual © David Noir
Totally naked
Some objectives of the "Totally Nude" workshop: Risking oneself in a body bath. Give yourself the freedom to stay there. Tranquilize your fear. To confront desire.
Return from Erosphere | Libertins pas toujours si libres | Montage © David Noir
Return from Erosphere
It is up to certain libertines to want to escape the "mawkishness of free sex" from which they claim to be exempt.
Mixing sexes | vulva and penis | Visual © David Noir
Fencing Diary J-8
The sexes, pussies and dicks, are always kneaded with the innocence of their weak culture | It's beautiful that it is like this
My Wonderful Pornography | David Noir | "The Loose Animals" | 1992
Fencing Diary J-16
Today, I have kept this short hour of ordinary pornography in me as one of my most beautiful moments as a moviegoer.
Edible CHOCOBITE Phallus | My Sex in Chocolate | Self-moulding on the spot © David Noir
Journal des Parques J-19
I write with my dick and sign a taste trick. Cocoa idol, my phallus becomes edible for those who can suck its meaning.
Bander and enjoy the face of the world | My lonesome cowboy, 1998, Fiberglass, acrylic and steel, 288 x 117 x 90 cm - Takashi Murakami
Journal des Parques J-22
Magnificent arrogance of an ordinary hero: Live to get hard and enjoy the world! "Suck it, this is my cock! Drink, this is my sperm! »
The bus where the adventure and life of Christopher McCandless ended in solitude in 1992, brought to the screen in the film "Into the wild".
Journal des Parques J-24
It is human and tribal to have to be constantly reassured about one's membership in a community and the relative state of one's loneliness
Marcelle Chantal and Jean Yonnel | AMOK (1934) | Directed by Fédor Ozep after Stefan Zweig
Diary of the Parks J-26
Even if it is dangerous to understand it literally, the Amok is nevertheless a phenomenon on which the being in search of itself must lean
