Edible CHOCOBITE Phallus | My Sex in Chocolate | Self-moulding on the spot © David Noir

Journal des Parques J-19

I write with my dick and sign a taste trick. Cocoa idol, my phallus becomes edible for those who can suck its meaning.

Bander and enjoy the face of the world | My lonesome cowboy, 1998, Fiberglass, acrylic and steel, 288 x 117 x 90 cm - Takashi Murakami

Journal des Parques J-22

Magnificent arrogance of an ordinary hero: Live to get hard and enjoy the world! "Suck it, this is my cock! Drink, this is my sperm! »

Ape Escape | Catch the Escaped Apes on PlayStation | You're Dead! | Game over

Journal des Parques J-23

The preparation of the Fates is for me to live a whole life every day. It is to experience psychic death, so much one idea is dead to the next

The bus where the adventure and life of Christopher McCandless ended in solitude in 1992, brought to the screen in the film "Into the wild".

Journal des Parques J-24

It is human and tribal to have to be constantly reassured about one's membership in a community and the relative state of one's loneliness

Read more about the article Journal des Parques J-26

Marcelle Chantal and Jean Yonnel | AMOK (1934) | Directed by Fédor Ozep after Stefan Zweig

Diary of the Parks J-26

Even if it is dangerous to understand it literally, the Amok is nevertheless a phenomenon on which the being in search of itself must lean

Mouth and Torso | "Is the Body a Livable World?" | Self-Portrait © David Noir

Journal des Parques J-28

A livable world. In the experiment, I am my own guinea pig. You are free to choose a similar place. All are possible.

Journal des Parques J-29

Methodology of the Fates addressed to the public : incentives to play, temptation of possibilities, how to intervene... everything tends to push to the staging of oneself

Read more about the article Introduction aux « Parques d’attraction »

Introduction to "Attraction parks".

In April 2013 at the Générateur, I invite you to discover this universe, to come and play and to evolve without any limit between being a spectator or an actor.